This site is part of the Siconnects Division of Sciinov Group

This site is operated by a business or businesses owned by Sciinov Group and all copyright resides with them.

ADD THESE DATES TO YOUR E-DIARY OR GOOGLE CALENDAR

Registration

Marielle Hajjar {08:00 PM - 08:30 PM CET}

University of Quebec in Montreal, Canada

Title:« I’m Kenough »: Masculinity Representations in Barbie the Movie

Poster Presentation

Abstract

Since its release in July 2023, the movie Barbie generated billions in profit1. The keen interest for Greta Gerwig's creation is undeniable2. Some argue that the movie offers subversive representations of masculinity through one of the main characters, Ken3. Our study explores Barbie's representations of masculinity through a qualitative case study approach. To our knowledge, no study investigated this matter. The movie has been selected for its exemplarity and its potential of shaping masculinity. It has indeed been demonstrated on several occasions that Barbie's universe has an effect on individual and collective subjectivities4, 5, 6, 7, 8. A reflexive thematic analysis has been conducted based on the hegemonic masculinity conception of Connell9. The analysis has been validated through an interjudge agreement. Results show that male characters have an inauthentic and egoistic presentation of themselves, competitive interactions between men and unequal relationships with women filled with mansplaining. Therefore, the film has multiple representations of traditional masculinity which is part of hegemonic masculinity. Masculinity’s representations in the movie replicate indeed many Western stereotypes and gendered norms10. In sum, the film showed little subversion in its masculinities' expression. However, our analysis did not consider the movie’s use of irony. Future research could furthermore investigate the public reception towards Barbie the movie to see if the satire has been well understood.
Key words: Masculinities, hegemonic masculinity, Barbie, Ken, media representations, patriarchy.

References
1. Larasati, D. (2023, juillet 25). ‘Barbie’ budget breakdown : How the Greta Gerwig film 
became the biggest of the year. Collider. https://collider.com/barbie-movie-box-officebudget/
2. Cox, D. (2023, août 4). Barbie’s muddled feminist fantasy still bows to the patriarchy. The 
Guardian. https://www.theguardian.com/film/2023/aug/04/barbies-muddled-feministfantasy-still-bows-to-the-patriarchy
3. Olsen, M. (2023, 11 juillet). Ryan Gosling and Greta Gerwig on how Ken became the 
subversive center of ‘Barbie’. Los Angeles Times. https://www.latimes.com/entertainmentarts/movies/story/2023-07-11/greta-gerwig-ryan-gosling-ken-barbie
4. Boothroyd, L. G., Tovée, M. J. et Evans, E. H. (2021). Can realistic dolls protect body 
satisfaction in young girls? Body Image, 37, 172180. 
https://doi.org/10.1016/j.bodyim.2021.02.004
5. Harriger, J.A., Schaefer, M.S., Thompson, J.K. et Cao, L. (2019). You can buy a child a curvy 
Barbie doll, but you can’t make her like it: Young girls’ beliefs about Barbie dolls with 
diverse shapes and sizes. Body Image, 30, 107-113. 
https://doi.org/10.1016/j.bodyim.2019.06.005
6. Orr Vered, K. et Maizonniaux, C. (2017). Barbie and the straight-to-DVD movie: Pink postfeminist pedagogy. Feminist Media Studies, 17(2), 198-214. 
https://doi.org/10.1080/14680777.2016.1178158
7. Smith, S. (2017). Masculinities. Dans K. L. Nadal (dir.), The SAGE encyclopedia of 
psychology and gender (vol. 4, p. 11091111). SAGE Publications. 
https://doi.org/10.4135/9781483384269
8. Webb, J.B., Ford, N.M. et Padre, M.P. (2023). Fashion versus fitspo: The effect of viewing 
images of contemporary Barbie® dolls in passive versus active poses on college women’s 
body image and affect. Body Image, 45, 201-209. 
https://doi.org/10.1016/j.bodyim.2023.03.004
9. Connell, R. (2005). Masculinities (2e éd.). University of California Press.
10. Smith, R., Nadin, S. et Jones, S. (2019). Beyond the dolls house? Barbie entrepreneur dolls 
and the commodification, fetishisation and consumption of idealised, gendered 
entrepreneurial identity. Qualitative Market Research: An International Journal, 22(5), 
745-765. https://doi.org/10.1108/QMR-01-2017-003

Biography

Marielle Hajjar, graduate student, Department of Sexology, University of Quebec in Montreal. Research interests: immigration, sex education.

 

Subscribe to our News & Updates